Film Industry Revenue 2012
Analyze film industry revenue by country to understand economic impact and market size.
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Complete Data Rankings
Rank | Actions | ||
|---|---|---|---|
1 | Timor-Leste | 147.64 USD | |
2 | Lesotho | 38.084 USD | |
3 | China, Macao SAR | 36.8 USD | |
4 | Denmark | 33.515 USD | |
5 | Namibia | 32.933 USD | |
6 | Eswatini | 29.058 USD | |
7 | Botswana | 28.037 USD | |
8 | New Zealand | 26.864 USD | |
9 | Sweden | 26.782 USD | |
10 | Norway | 26.243 USD | |
11 | Austria | 26.183 USD | |
12 | Solomon Islands | 26.177 USD | |
13 | Belgium | 25.709 USD | |
14 | Malta | 25.295 USD | |
15 | United Kingdom | 24.998 USD | |
16 | Trinidad and Tobago | 24.961 USD | |
17 | Greece | 24.954 USD | |
18 | Italy | 24.911 USD | |
19 | Luxembourg | 24.428 USD | |
20 | Jamaica | 24.333 USD | |
21 | South Africa | 23.346 USD | |
22 | Cyprus | 23.335 USD | |
23 | Georgia | 23.089 USD | |
24 | Hungary | 22.929 USD | |
25 | Fiji | 22.893 USD | |
26 | France | 22.609 USD | |
27 | Ireland | 22.341 USD | |
28 | Morocco | 21.965 USD | |
29 | Saint Vincent and the Grenadines | 21.845 USD | |
30 | Slovenia | 21.702 USD | |
31 | Israel | 21.639 USD | |
32 | Iceland | 21.227 USD | |
33 | Australia | 21.028 USD | |
34 | Portugal | 21.011 USD | |
35 | Barbados | 20.562 USD | |
36 | Samoa | 20.539 USD | |
37 | Bosnia and Herzegovina | 20.478 USD | |
38 | Netherlands | 20.326 USD | |
39 | Finland | 20.202 USD | |
40 | Estonia | 20.162 USD | |
41 | Croatia | 20.13 USD | |
42 | Tunisia | 20.115 USD | |
43 | Czech Republic | 19.122 USD | |
44 | Chile | 18.991 USD | |
45 | Mozambique | 18.629 USD | |
46 | Bulgaria | 18.385 USD | |
47 | Mauritius | 18.364 USD | |
48 | Belize | 18.363 USD | |
49 | Palau | 18.139 USD | |
50 | Turkey | 18.105 USD | |
51 | San Marino | 18.016 USD | |
52 | Saint Kitts and Nevis | 17.922 USD | |
53 | Zimbabwe | 17.836 USD | |
54 | Serbia | 17.815 USD | |
55 | Uruguay | 17.792 USD | |
56 | Ukraine | 17.633 USD | |
57 | Albania | 17.588 USD | |
58 | Armenia | 17.492 USD | |
59 | Vanuatu | 17.382 USD | |
60 | Saint Lucia | 17.154 USD | |
61 | Romania | 17.145 USD | |
62 | Kiribati | 16.833 USD | |
63 | Peru | 16.547 USD | |
64 | North Macedonia | 16.417 USD | |
65 | Marshall Islands | 16.386 USD | |
66 | Cabo Verde | 16.281 USD | |
67 | El Salvador | 16.182 USD | |
68 | Poland | 16.005 USD | |
69 | Lithuania | 15.685 USD | |
70 | Malaysia | 15.613 USD | |
71 | Republic of Moldova | 15.595 USD | |
72 | Slovakia | 15.499 USD | |
73 | Latvia | 15.447 USD | |
74 | Thailand | 15.441 USD | |
75 | Ghana | 15.368 USD | |
76 | Mongolia | 15.312 USD | |
77 | Lebanon | 15.198 USD | |
78 | Nicaragua | 15.009 USD | |
79 | Zambia | 14.892 USD | |
80 | Honduras | 14.747 USD | |
81 | Belarus | 14.663 USD | |
82 | Burundi | 14.533 USD | |
83 | Brazil | 14.332 USD | |
84 | Gabon | 14.061 USD | |
85 | Burkina Faso | 13.89 USD | |
86 | Russia | 13.755 USD | |
87 | Laos | 13.605 USD | |
88 | Bhutan | 13.589 USD | |
89 | Singapore | 13.581 USD | |
90 | Jordan | 13.543 USD | |
91 | South Korea | 13.474 USD | |
92 | Kazakhstan | 13.312 USD | |
93 | Colombia | 13.227 USD | |
94 | Angola | 13.22 USD | |
95 | Costa Rica | 13.105 USD | |
96 | Dominican Republic | 13.052 USD | |
97 | Argentina | 12.953 USD | |
98 | Azerbaijan | 12.779 USD | |
99 | Egypt | 12.385 USD | |
100 | Philippines | 12.306 USD | |
101 | Nepal | 12.041 USD | |
102 | Bahamas | 12.039 USD | |
103 | Germany | 11.914 USD | |
104 | Uzbekistan | 11.81 USD | |
105 | Spain | 11.706 USD | |
106 | Canada | 11.664 USD | |
107 | Togo | 11.362 USD | |
108 | Cameroon | 11.344 USD | |
109 | Guatemala | 11.01 USD | |
110 | Mali | 10.925 USD | |
111 | India | 10.837 USD | |
112 | Côte d'Ivoire | 10.619 USD | |
113 | Tanzania | 10.433 USD | |
114 | Sri Lanka | 10.111 USD | |
115 | China | 10.089 USD | |
116 | United States | 9.764 USD | |
117 | Paraguay | 9.458 USD | |
118 | Ethiopia | 9.378 USD | |
119 | Mexico | 9.352 USD | |
120 | Malawi | 9.316 USD | |
121 | Bangladesh | 9.025 USD | |
122 | Switzerland | 9.018 USD | |
123 | Equatorial Guinea | 8.742 USD | |
124 | Cambodia | 8.737 USD | |
125 | Congo, Democratic Republic of the | 8.644 USD | |
126 | Madagascar | 8.368 USD | |
127 | Central African Republic | 8.172 USD | |
128 | Afghanistan | 7.708 USD | |
129 | Congo | 7.278 USD | |
130 | Sudan | 6.894 USD | |
131 | Micronesia (Fed. States of) | 4.941 USD | |
132 | Myanmar | 4.524 USD | |
133 | Saudi Arabia | 2.485 USD | |
134 | Bahrain | 1.137 USD | |
135 | United Arab Emirates | 0.347 USD |
- #1
Timor-Leste
- #2
Lesotho
- #3
China, Macao SAR
- #4
Denmark
- #5
Namibia
- #6
Eswatini
- #7
Botswana
- #8
New Zealand
- #9
Sweden
- #10
Norway
Analysis: These countries represent the highest values in this dataset, showcasing significant scale and impact on global statistics.
- #135
United Arab Emirates
- #134
Bahrain
- #133
Saudi Arabia
- #132
Myanmar
- #131
Micronesia (Fed. States of)
- #130
Sudan
- #129
Congo
- #128
Afghanistan
- #127
Central African Republic
- #126
Madagascar
Context: These countries or territories have the lowest values, often due to geographic size, administrative status, or specific characteristics.
Analysis & Context
In 2012, the country with the highest Film Industry Revenue was Timor-Leste, with a remarkable revenue of USD 147.64 million. The global range of film industry revenue spanned from a minimum of USD 0.35 million in the United Arab Emirates to Timor-Leste's maximum. The global average revenue for the film industry in 2012 was USD 17.57 million, providing a broad context for understanding market disparities.
Economic Disparities and Film Industry Revenue
The film industry revenue in 2012 highlighted significant economic disparities among countries. Timor-Leste led the rankings with a revenue of USD 147.64 million, far surpassing other nations. This extraordinary figure may be attributed to specific economic policies or investments in the cultural sector that are not immediately apparent in the data. In contrast, Lesotho and China, Macao SAR followed with revenues of USD 38.08 million and USD 36.80 million, respectively, suggesting regional economic strengths or burgeoning film markets.
On the lower end, countries like the United Arab Emirates and Bahrain recorded revenues of USD 0.35 million and USD 1.14 million. These figures may reflect cultural preferences or differing levels of government support for the film industry, which can significantly impact market size and revenue potential.
Regional Patterns in Film Industry Revenue
Regional patterns in film industry revenue reveal interesting insights into market dynamics. Scandinavian countries, such as Denmark and Sweden, reported revenues of USD 33.51 million and USD 26.78 million, respectively. These figures indicate a stable and supportive environment for film production and consumption, possibly driven by established cultural industries and government subsidies.
On the African continent, countries like Namibia and Eswatini registered revenues of USD 32.93 million and USD 29.06 million. These numbers suggest a growing interest and investment in the film sector, potentially fueled by regional collaborations and the increasing global demand for diverse narratives.
Year-Over-Year Trends and Market Dynamics
The year-over-year trends in film industry revenue highlight dynamic shifts within the market. The average change in revenue was 0.41 million (a 2.6% increase), indicating modest growth across the board. Notably, Eswatini experienced the most significant increase at 74.6%, with revenue growing by USD 12.41 million. This surge could be attributed to strategic investments or successful film projects that captured both local and international audiences.
Meanwhile, Timor-Leste and Lesotho also saw considerable increases of USD 12.16 million (a 9.0% rise) and USD 7.87 million (a 26.0% rise), respectively. These changes suggest an expanding market or enhanced film production capabilities. Conversely, countries like Kazakhstan and Mongolia faced declines in revenue, down 27.1% and 17.1%, respectively, possibly due to economic challenges or shifts in cultural consumption patterns.
Global Implications and Future Considerations
The film industry revenue data from 2012 underscores the sector's economic impact and its potential for growth. Countries with high revenues often benefit from strong cultural policies, international collaborations, and robust domestic markets. As global audiences continue to diversify their film consumption, there is an opportunity for emerging markets to capitalize on unique storytelling and production capabilities.
Understanding these patterns and their underlying causes can inform future investments and policy decisions, aiming to foster a vibrant and inclusive global film industry. As such, stakeholders must consider both economic and cultural factors to harness the full potential of this influential sector.
Frequently Asked Questions About Film Industry Revenue in 2012
Which country had the highest film industry revenue in 2012?
Timor-Leste had the highest film industry revenue in 2012 with 148 USD.
Which country had the lowest film industry revenue in 2012?
The United Arab Emirates had the lowest film industry revenue in 2012 with 0.35 USD.
What was the average film industry revenue by country in 2012?
The average film industry revenue by country in 2012 was 17.57 USD.
What was the median film industry revenue by country in 2012?
The median film industry revenue by country in 2012 was 16.01 USD.
Which countries were in the top 3 for film industry revenue in 2012?
The top 3 countries for film industry revenue in 2012 were Timor-Leste, Lesotho, and China, Macao SAR.
How many countries are included in the film industry revenue dataset for 2012?
The dataset for film industry revenue in 2012 includes 135 countries.
Insights by country
United States
The United States ranked #116 globally in Film Industry Revenue with a value of 9.76391736911044 USD in 2012. This figure is lower than many of its regional counterparts, reflecting a competitive global market where countries like India and China have rapidly expanded their film sectors. The U.S. film industry is influenced by its vast cultural reach and significant investment in technology, but it also faces challenges from piracy and changing consumer habits in the digital age.
Norway
In 2012, Norway ranked #10 globally in Film Industry Revenue with a total of 26.2427692680388 USD. This figure positions Norway notably above many of its Nordic neighbors, reflecting a robust film sector relative to the region. The country's strong support for the arts, coupled with a high level of cultural engagement and government funding for film production, has significantly contributed to its success in this industry.
Solomon Islands
In 2012, the Solomon Islands achieved a global rank of #12 in Film Industry Revenue, generating 26.1766182670631 USD. This figure is notably higher than many of its Pacific neighbors, reflecting a unique cultural investment in film and storytelling. The country's rich oral traditions and diverse cultural heritage have fostered a conducive environment for film production, supported by local initiatives aimed at promoting the arts.
Argentina
In 2012, Argentina ranked #97 globally in Film Industry Revenue, generating 12.9528415127413 USD. This figure reflects a relatively modest output compared to other Latin American countries, with Brazil and Mexico leading the region in film revenue. The Argentine film industry has been shaped by a rich cultural history and government support for local filmmakers, but it still faces challenges in competing with larger markets.
Cyprus
In 2012, Cyprus ranked #22 globally with a Film Industry Revenue of 23.3347688877135 USD. This positioned Cyprus ahead of many regional peers, reflecting its unique cultural and historical landscape that attracts film production. The country's strategic location at the crossroads of Europe, Asia, and Africa, along with its favorable climate and diverse scenery, have made it an appealing destination for filmmakers. Additionally, supportive government policies aimed at promoting the film sector have further bolstered its revenue potential.
Luxembourg
In 2012, Luxembourg ranked #19 globally in Film Industry Revenue, generating 24.4278271542178 USD. This positions Luxembourg above many larger countries, reflecting its significant impact on the European film market. The country's favorable tax incentives and support for creative industries have attracted international productions, boosting its film revenue.
Botswana
Botswana ranked #7 globally in Film Industry Revenue in 2012, generating 28.0365776616041 USD. This performance places it significantly ahead of many regional peers, reflecting the country's robust investment in cultural industries. Key drivers of this revenue include a growing local film sector supported by government initiatives and a focus on showcasing Botswana's unique cultural narratives to both local and international audiences.
Lithuania
In 2012, Lithuania's Film Industry Revenue was $15.6846191314427, ranking it #69 out of 135 countries. This revenue is relatively modest compared to larger film markets in Europe, such as France and Germany, which dominate the industry. The growth of Lithuania's film sector can be attributed to its strategic location as a filming destination and supportive government policies aimed at promoting local productions and attracting foreign filmmakers.
Czech Republic
In 2012, the Czech Republic ranked #43 globally in Film Industry Revenue, generating 19.1215199352368 USD. This revenue is notable when compared to regional neighbors, reflecting a robust film sector supported by a rich cultural heritage and a history of filmmaking. Factors such as a skilled workforce, favorable production incentives, and a growing reputation as a filming location have contributed to the industry's development in the Czech Republic.
Peru
In 2012, Peru ranked #63 globally in Film Industry Revenue, generating 16.5466871027669 USD. This revenue is notably lower compared to regional leader Brazil, which benefits from a more established film market. Key drivers for Peru's film industry revenue include a growing local audience and increased investment in cultural projects, although challenges such as limited distribution networks and competition from international films persist.
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